01
What this skill does
Use this skill to create new images in the Soft-Focus Color Haze visual language without copying either retained reference's subject or layout. It routes background-only and subject-led requests through separate style references, composes from broad low-frequency color masses, and enforces calm negative space, matte grain, and readable warm-cool separation.
02
When to use it
- 01Generating full-bleed abstract backgrounds with restrained color movement and quiet low-detail space.
- 02Turning a supplied or named subject into a semi-abstract, defocused color presence.
- 03Creating variants whose placement, crop, flow, and empty-space direction are compositionally distinct.
- 04Maintaining subject-field separation without sharp contours, hard shadows, or literal surface detail.
03
How it works
- 01
Resolve the canonical background reference and dedicated subject-led style reference from the skill package.
- 02
Classify each requested output as background-only or subject-led and keep the two modes independent.
- 03
Select exactly one mode-specific style reference and treat it as visual-language evidence rather than an edit target.
- 04
For subject-led work, resolve placement first with the user's direction or an explicit randomized composition card.
- 05
Generate from broad defocused color volumes, then inspect abstraction, chromatic separation, placement, grain, and reference-layout independence.
04
What you get back
- 01A newly composed full-bleed image in the Soft-Focus Color Haze visual language.
- 02Background-only images with no implied focal object or recognizable motif.
- 03Subject-led images whose semantic seed remains ambiguous unless legibility is explicitly required.
- 04Compositionally distinct variants when multiple outputs are requested.
05
Important boundaries
- 01Do not copy the retained references' subject, geometry, color coordinates, crop, or spatial arrangement.
- 02Do not pass both template references unless the user explicitly requests a comparison or blend.
- 03Do not build a realistic object and blur it afterward; construct the image from defocused color planes from the outset.
- 04Do not let a subject merge into its field, become instantly literal at thumbnail size, or drift away from its locked placement.
06